这场迁徙，未必宣告“擦边经济”终结，而是开始走向线下生态，用“颜值经济”撬动消费力。
其实，他也不喜欢拍照。但关于他，网络上可以搜到的高质量大图远比高质量专访多得多。一个可能的原因是：他是当代作家中作品被影视化改编最多的。频繁出片的时尚硬照、明星合影，便是影视宣发的副产品之一。似乎他更信任影像，信任一枚镜头所表达出来的那个客体，远比把自己丢给一个主观的文字描述者来得靠谱。
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I see that all over. I see that in our audience. I certainly see that in crypto. There was a part of me that thought the meme stock phenomenon was just a bunch of bored people at home during the pandemic, and now I’m increasingly convinced it’s the entire economy in a way that is maybe not good.
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