Dutton and Painter argue that this trauma bond helps explain why people can feel magnetised back to relationships that are objectively bad for them – because the mix of danger and affection is familiar, not because it is healthy.
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Leon’s old scars will have to wait, anyway. Requiem’s new blood is FBI analyst Grace Ashcroft. Equal parts tenacious and nervous, she’s a fitting lens on the horror portion of Requiem’s split focus between disempowered terror and cathartic action. The story opens with Grace – more acquainted with desk work than field ops – tasked to go over a crime scene at a gutted hotel. She knows the place well, since it holds some horrific memories for her. Still, she heads off with little more than a flashlight and a pistol you’ll never find quite enough ammunition for to feel safe.